SYMPHOBIA 2 is more of what you've been missing in your orchestral palette. New and exciting ORCHESTRAL ARTICULATIONS, massive amounts of fresh and inspiring SYMPHONIC EFFECTS, exclusive LEGATO ENSEMBLES with real legato transitions, DYSTOPIA III and a brand-new interface. SYMPHOBIA 2 is the new no-brainer addition to the SYMPHOBIA series for any film, game or TV composer.
Cinesamples - Cinebrass
CineBrass is revolutionary in its power and simplicity for recreating the sound of the orchestral brass section. The library was designed by composers, for composers, with direct feedback from the film music community during its development. The result is a brass library that is easy to use, composer-friendly, with unparalleled recording quality.
Orchestral Tools - Orchestral String Runs
The industry´s first RUNS BUILDER
for Violins and Cellos+Basses. (Create your individual runs out of thousands of tempo-synced runs-fragments!)
Orchestral Tools - Orchestral String Runs V2
We are very happy to release OSR 2 today. We needed some "extra" time for additional recording-sessions with the orchestra to bring some of our visions into OSR 2. The update will not include additional basic-runs, because OSR has a huge amount of pre-recorded runs.
Tonehammer - Bowed Piano [Kontakt]
Welcome to Bowed Grand Piano – a library decided to deep sampling of bowed and FX based grand piano strings.
Once again, NATIVE INSTRUMENTS raises the bar with KONTAKT 5 — the latest version of the industry-leading sampler. KONTAKT 5 takes a bold leap forward with 37 new filters, four new on-board studio effects, updated time stretching, a new instrument bus system and more. As you will see from the newSTUDIO DRUMMER, for example, it's a deep-rooted update to the KONTAKT platform, allowing us — and you — to create even better instruments and more powerful, expressive sounds.
Kontakt 5.0.2
New:
-Significant Time Machine Pro improvements.
-Improved file import.
-Easier and faster activation for Kontakt Instruments.
-Dynamically resizeable 'post-amp' section in Group Effect Chain.
-Invert and Channel Swap functionality in Group amplifier section.
Most important bug fixes:
-Fixed several issues.
-Fixed some rare crashes.
NOTE:
This update disables reg hacks which worked on v5.0.0 and v5.0.1. But there are still some tricks to enable the custom user library.
Introducing Pro II - The analogue hybrid synthesizer for Kontakt 4 by Wave Alchemy...
A limitless source of screaming bass lines, lush synth tones and powerful analogue sequences, Pro II by Wave Alchemy is powered by over 6500 carefully recorded multi-sampled sounds, driven by a custom scripted Kontakt 4 engine and intuitive graphical interface.
Inspired by one of the most popular synths of its time, Pro II combines classic sounds with modern sound shaping tools to achieve a versatile and fully programmable analogue hybrid synthesizer!
Pro II for Kontakt 4 ships with a 3.9GB core sound library and includes 195 expertly programmed presets, all of which are editable via our extensively scripted instrument panel and stunning GUI controls.
A full version of Native Instruments Kontakt 4 or 5 is required to use our Pro II instrument. A slimmed down version including 3.2GB of multi-sampled presets is available and optimized for users of Ableton Live, Reason and various other software.
The Pro II instrument features 5 main editing pages:
Preset Page
The preset page is able to load 138 extensively multi-sampled patches designed and recorded from a vintage Sequential Circuits Pro One synthesizer. Sounds from this page can be further edited and mixed with the Pro II's 'raw oscillators' (see below) to create interesting 'hybrid' patches.
Raw Oscillator (Synthesizer) Page
Synthesize your own sounds using the Pro II's oscillators… Raw mode boasts 2 analogue oscillators, 2 sub oscillators and 2 noise sources, all of which are individually powered by an extensive set of carefully looped waveforms recorded from a Pro One analogue synthesizer.
Sequencer Page
A comprehensive, tempo sync-able analogue style step sequencer. Each step boasts independent settings for both filter cut-off and resonance which when combined with the instruments "shuffle" (randomize) function can produce everything from subtle S+H type effects to completely insane sequences.
Effects Page
The effects page boasts a number of fully editable effects as well as specially created reverb IR's (Impulse Responses) recorded from our Eventide DSP-7000 Harmonizer.
Controls Page
The controls page gives you full control over mono/polyphonic modes, portamento, pitch bend range, 8 voice unison and keyboard velocity/curve response.
What's included in the instrument?
3.9GB core sound library including 6587 multi-sampled 24-bit WAV samples
Heavily scripted Kontakt 4+ instrument and intuitive graphical interface (requires full version of Kontakt)
138 Pro One multi patches including a wide range of huge analogue basses, lush synth leads, quirky tones and twisted SFX
38 carefully programmed Pro II presets and starting points
19 multi-rack patches featuring analogue hybrid synth sounds, creatively layered pad arrays and enormous bass tones
Morphestra is today's cinematic virtual instrument. Sample Logic's award-winning team presents a powerful collection of creatively new and inventive organic instruments. Morphestra is derived entirely from orchestral recordings and psycho-acoustic sound design. In association with Kirk Hunter Studios and powered by Native Instruments Kontakt Player 3, Morphestra is an epic collection of over 27 GB and 1200+ instruments and multis delivered pre-installed on a pocket-sized Glyph hard drive.
Out of the box, Morphestra is ideal for film, TV, video games, electronic music, ambient music, multimedia genres, and much more... Its powerful instruments and multis stand on their own making it a "must have." This makes creating an entire production possible without the assistance of any additional third-party instruments and effects. This "cine-organic" achievement surpasses any library of its kind. Rather than reinventing the traditional orchestra, Sample Logic has created a modern-day virtual instrument using effectual techniques. Morphestra includes: cinematic atmospheres, innovative arpeggiated/gated melodic and rhythmic instruments, thunderous percussive impacts, transition trailer effects, and dynamic rhythmic loops, and lush evocative pads, just to name a few.
Weighing in at over 18 Gigabytes, Synergy is a collection of 1200+ instruments, tempo-synced loops, and multis that aims to deliver the next generation of diverse sounds in an intuitive user interface.
Powered by Native Instruments Kontakt Player engine, Synergy utilizes extended sample synthesis and effectual techniques to provide you interactive, ready-to-play instruments. With Synergy's flexible sound sculpting interface, control is in your hands. All instruments can be modified, redesigned, and customized to your preference. This makes Synergy perfect for any performance and production environment.
Powered by Native Instruments Kontakt Player engine, Synergy utilizes extended sample synthesis and effectual techniques to provide you interactive, ready-to-play instruments. With Synergy's flexible sound sculpting interface, control is in your hands. All instruments can be modified, redesigned, and customized to your preference. This makes Synergy perfect for any performance and production environment.
Instrument categories include:
* Ambience (295 patches)
* Bass (54 patches)
* Drums (55 patches)
* Impacts (269 patches)
* Melody (173 patches)
* Pads (57 patches)
* Rhythms (270 patches)
* Multis (40 patches)
Installation:
1. create a useful folder to contain library e.g. :
\My Sample Libraries\Sample Logic\Synergy
2. copy the contents of D1 to the folder :
\Documentation
\Instruments
\Multis
\Samples
Synergy_info.nkc
Synergy_info.nkx
3. copy the contents of D2 and D3 into the \Samples folder
RETRO MACHINES MK2 is a collection of 16 definitive analog synthesizers and keyboards, lovingly sampled and refined for the world's leading sample platform, KONTAKT 5. The collection covers the classic, the idiosyncratic and the exotic instruments that defined electronic pop in the 70s and 80s. Today, the originals are hard-to-find, expensive, and often temperamental. So if you'd rather be making music than worrying about tuning, here's your vintage ticket: RETRO MACHINES MK2 gives you thick, creamy, analog sound without the repairs, and with all the benefits of state-of-the-art software technology.
The interface provides consistent control across the board, whichever vintage monster you're currently tweaking. Each preset captures the character sound of the original instruments, with eight integrated sound variations. Each variation is a production-ready synth sound, a specific combination of OSC, Filter, Amp and other settings. Your tweaks are saved within each variation, and you can use the Morph slider to shift between variations for dynamic sound.
The arpeggiator in RETRO MACHINES MK2 is a modern re-interpretation of the arpeggiators in the original machines. Choose 16 steps or 12-step triplet mode, and define the velocity of each individual step. What's more, you can assign a different sound variation to each step in the pattern —a smart trick for dynamic, expressive arpeggios.
The Chord Player creates chords from single notes, which is especially useful in combination with the arpeggiator. In Fixed Chord mode, set your intervals and play chords with one finger up and down the keyboard. Turn off Fixed Chord, choose a key template, and the chords you hear automatically fit the selected key, for perfect, elegant harmony.
What happens when you take a perfectly good instrument - one thats been around for hundreds of years - and completely rethink it?
Many musicians have dug their hands into the piano, John Cage prepared it with bolts between the strings, others have strummed it or hit it with their hands, but one of the most ethereal and unorthodox techniques is that of bowed piano. You can see videos of Bowed Piano Techniques on Youtube..
The Sound
The ultimate pad-sound? Organic, shape-shifting, massive, foreboding yet delicate.. The sound of the Bowed Piano is incredibly versatile very musical and completely unique. It seems to strike a middle-ground somewhere between a synthesiser pad and a stringed instrument and manages to sound like neither. A sound that adds space and movement to a composition, also bringing a magical, shimmering high end and baleful character that evokes so much.
First suggested by the composer Curtis Curtis-Smith in 1972, the technique uses flexible bows made from monofilament nylon fishing-line which are then coated in rosin. The nylon is threaded under the strings, and the performer can coax a sustained tone from the piano.
Bowed piano has since been adopted and expanded upon by various other composers, including George Crumb and more extensively by Stephen Scott.
The Soniccouture Bowed Piano instrument was recorded using a 9 foot Baldwin Grand, a popular model with Bowed practitioners. A matched pair of Bruel & Kjaer microphones were the only choice to capture such a sound. Each key has alternate samples to prevent repetition of attack transients, and there are 3 articulations per key - Normal bowing, Hard bowing, and short, staccato bows. The Normal and Hard samples are looped long, for infinite sustain. When playing, you can crossfade from normal to hard bowing using the mod-wheel, and the staccato bows are activated via a keyswitch.
SampleMoogis a virtual instrumentdone in cooperation withMoogMusicandSonicReality.It hasover 1,700Moogsynthsoundsof 16coveringthe entire history ofthis manufacturerfrom theMoogLittlePhattyat3C.It is based onsamples (more than 4Gb)and hasbuilt-in effects.
Kontakt 4 Factory Library - Synth | Kontakt | 3.73 GB
Here arethe full range ofcontemporarysynthpads, basses, leads anddrum kits.Sincethe collectionhas its ownsynthesizersee the performance, you have the possibility of accessingin secondsthe important parametersand adjustthe sound to yourdesire.In addition, thiscolumn contains abuilt-in batterycomputer for thesynthdrum kits.
The purpose of thecollectionis to provideequipmentSynthsounds ofsynthesizers.The samplesin thiscollection comefrom various sources,from analoghardware /digital machinesfor acoustic instruments andsynths. All thesampleshoweverhave been processedand masteredfor an "immediate production" sound (incontrast to theVintage collection, where all thesampleshave been recorded"pure."
All instrumentssynth- except forthe drum kits-share acommonview, slightly alteredvariation of the sameviewis used for thearpeggiator andsequencersounds,with the onlydifference is in thesoundsectionof theviewperformance.
The M3 heralds the third generation of Korg Workstations. The M1 is the keyboard workstation that started it all, first appearing in 1988 to bring the world a new concept called the "music workstation." It went on to become the best selling keyboard workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products.
The M3 heralds the third generation of Korg Workstations. The M1 is the keyboard workstation that started it all, first appearing in 1988 to bring the world a new concept called the "music workstation." It went on to become the best selling keyboard workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products.
The XP-80 was one of Roland's flagship digital Workstation Synthesizers. With extensive professional features, superb quality PCM sounds, sequencing, effects and more, the XP-80 could be the only synth you may ever need! Compared with earlier XP-series synths, the XP-80 adds a great 76-note semi-weighted keyboard for a realistic playing experience. A bright and large 320 by 80 pixel backlit display gives easy readability to any programming and sequencing you may do on the XP-80.
The XP-50 is not just another synthesizer workstation, it's basically a JV-1080 with a built-in keyboard and a 16-track sequencer! It is a digital synthesizer using sampled ROM waveforms. Superb sound quality capable of emulating most any instrument imaginable plus totally fat analog synth type sounds and loads of percussion! It has 64 voices of polyphony and is 16-part multitimbral. The XP-50 makes a great beginner's pro-quality workstation.
TheVintageCollectionhandles thelegendary soundof analog synthesizersand keyboards.Also included aredrum machines,synthesizers,organs andstring fromthe seventies(including anall newMellotron), and digitalsignature devicesof the eighties.Only theoriginalhardwarewas usedfor sampling,and sobring the wholecharacter (and quirks) of theoriginalmaterial. The only "electronic toys" - is a creativeplay areafull ofquirkyelectronic toykeyboards.
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